Amy Clampitt
 
 
 
 
 
 
 
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Welcome To Amy Clampitt.com

explore the life & Works of Amy Clampitt
and learn about
the Amy Clampitt Residency

 
 

Her life

After publishing her first collection of poems at the age of sixty-two (The Kingfisher, 1983), Amy Clampitt quickly entered the canon as one of America’s major poets, receiving a Guggenheim Fellowship (1982), an Academy of American Poets Fellowship (1984), and a MacArthur Fellowship (1992) before her death in 1994.

 

Her Works

Amy Clampitt’s five poetry collections, all published by Alfred A. Knopf, include The Kingfisher (1983), What the Light Was Like (1985), Archaic Figure (1987), Westward (1990), and A Silence Opens (1994). Knopf has since published her Collected Poems and Selected Poems. A selection of her letters, Love, Amy, was published in 2005 by Columbia University Press.

 

NOTHING STAYS PUT
THE LIFE AND POETRY OF AMY CLAMPITT
BY WILLARD SPIEGELMAN

ALFRED A. KNOPF | 28 FEBRUARY 2023 | 432PP. | 9780525658269

An evocative portrait of the beloved and acclaimed poet, whose late-in-life success took the literary world by storm.

“Clampitt comes to life here...Spiegelman’s Nothing Stays Put embodies a different kind of investigation, not surveillance but a thoughtful examination that at times still spins off into a kind of awe.” —The Washington Post


With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.

Giving equal weight to the life and the poetry, Spiegelman untangles Clampitt’s famously allusive lines to reveal the experiences they emerged from, pulling the curtain back on her nearly four decades of artistic anonymity, and in doing so assembling a rich period piece of Manhattan during the days in which Clampitt worked for Oxford University Press and the National Audubon Society—writing cheery, discursive office memos, and two novels that never got published, before hitting her stride in verse.

Nothing Stays Put is a gift to poetry fans, an inspiration to artists striving at any age, and an ode to this most unlikely of literary celebrities, who would publish five acclaimed books and win a MacArthur “Genius Grant” nearly all in the final decade of her life.

 
 
 
 
 
 
 
 

Each year, In association with Berkshire Taconic Community Foundation, the Amy Clampitt Fund hosts 1-2 residents for 6-12 month periods at Amy’s home near Lenox, MA, as a place ”to foster the study and promotion of poetry.”

 
 
 
 
 
 
 
 
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Beach Glass

from The Kingfisher

Hermit Thrush

from Archaic Figure

The Sun Underfoot Among the Sundews

from The Kingfisher

Grasses

from Westward

Black Buttercups

from What the Light Was Like

Syrinx

from A Silence Opens